Pleasingly, Kim Richey’s solo work is not at all overshadowed by these other successful aspects of her career. Her voice is soulful and nuanced, recognised by artists such as Jason Isbell and Ryan Adams who she has sung alongside. Hearing her perform her own material feels right though. Number one hits for Radney Foster and Trisha Yearwood, and songs for Mary Chapin carpenter, Gretchen Peters and Patty Loveless set a high standard. Registered office: Spectrum House, 3234 Gordon House Road, London, NW5 1LP. This is a reflection of the consistent quality present throughout Richey’s career so far, this being her eighth studio album and it contains twelve original songs of depth and grace.Īs well as a solo career there is an established songwriting pedigree to be noted. Recorded in Nashville and produced by Brad Jones, it’s a collaborative album of sophisticated country music and there are many highly respected players and songwriters to be found here. There has been a five year wait for this and it has been worth it. The Cradle Of All Living Things.‘Edgeland’ is the new album from Grammy-nominated singer-songwriter Kim Richey. Live review: Static Roots Festival, Oberhausen, Germany: 7th-8th July 2023.Pissing in the Ocean in a Rainstorm at High Tide.The Medicine show Flyingshoes Euro Americana Charts Blogroll It goes without saying really that here Amy Helm and her harmony singers put their all into this Ralph Stanley song which encapsulates that southern sense of finality, glory and redemption as they close the lid on an excellent album.īlabber’n’Smoke on Facebook Search Recent postsĮnter your email address to follow this blog and receive notifications of new posts by email.įollow Blabber’n’Smoke on Twitter My Tweets Archives Archives Categories The album closes with an a capella rendition of Gloryland which was Levon’s usual choice of encore. The Stones I Throw was a Band staple back when they were Levon and The Hawks and here it’s given an excellent rambunctious rendition as if it were the Staple Singers delivering it. The shadow of her late father Levon Helm (who last recorded on Helm’s debut album) is cast on two songs. Entdecke 00 2ct Certified NO HEAT Ruby VS H Diamond 14k White Gold Wedding. Her tribute to Odetta is a tour de force and its allied to a tremendous arrangement which has an almost chain gang like repetition to it as it hammers along although elaborate piano notes take the song to a higher plain. Moultrie Mobile WV-6000 Infrared Cellular Game Camera Operates on the Verizon. Helm’s voice is a revelation here as she delves into soul and gospel, powerful and emotive this talent was only hinted at on her previous album. There’s a preponderance of covers here which is not a bad thing as Helm delivers a magisterial reading of Allen Toussaint’s Freedom For The Stallion, transforms the Milk Carton Kids’ Michigan into an aching slice of Muscle Shoals groove with hints of Aretha Franklin within it and offers T Bone Burnett’s River of Love an excellent soulful makeover. The overall sound however is steeped in the south with churchlike organ, slippery guitar and gospel like harmonies present throughout. Produced by Joe Henry, This Too Shall Lie finds Helm recording in LA, far away from her Woodstock home. The song was written for Helm by Hiss Golden Messenger’s Mike Taylor and Josh Kaufman and it’s a perfect introduction to an album that is yet another addition to the grand canon of releases which celebrate the soul of American roots music. That foghorn guitar belongs to the opening title song which is a masterful slice of soulful funk, the rhythm section metronomic and sly while guitars fizz and burn beneath her impassioned vocals. Amy Helm’s second album opens with a blast of guitar sounding like a foghorn announcing the arrival of what is quite a special album.
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